Making Things

I'm a creative person. I like thinking up good ideas for papers, writing them. I do a little creative writing on the side.

But I also make things. Like a skirt. I made myself a long black skirt for a wedding I am in next week. And while it could be better, it looks pretty good for a first attempt at skirt making. I used this book, which teaches you how to make skirts without patterns. I am inordinately proud of my skirt, and might make another this week out of some linen Lance bought for me from Ikea.

I also make books, as I've shown before. So now I'm going to post pictures of a book I made for the same wedding as the skirt!


(longstitch binding)

Here's a better shot of the spine stitching


(spine)

I picked a cool endpaper too!


(Chinese character paper)

I started making books last August and have really progressed--this is one that I figured out how to make myself! It's a neat skill to have, and I love making books for friends.

Book Arts: The Physical Side of Literature

Recently I've been learning the skill of bookmaking or book arts. It's been a lot of fun, since I like making things a lot, but also it's been interesting because of my academic pursuits. I'm an English M.A. student, and I plan to pursue my Ph.D., meaning a lot of time is spent reading books. So how cool is it that I can also make books? "Literature" is lumped into the ream of the intellectual and the mental world, but we sometimes forget that it has to come to us in a physical form, i.e. a book. Words on a page.

Increasingly in the postmodern era (beginning in the modern), authors have started to think about that physical aspect: Joyce was concerned with how his words would look, physically, when laid out on a page for publication. Other authors were affected by the more concrete side of writing--getting paid--so they would write in such a way that would sell. For example, publishers liked to create books that were three volumes in length to get more money from both people who bought books and people who "rented" books through subscription libraries. Publishers would thus pay more for a book that could be three substantial volumes. Some authors would be paid per page, so they would either write more (like Dickens) or write huge amounts of short dialogue to have as much white space on a page as possible, like Edgar Rice Borroughs.

Thus, the physical form of the book can be just as interesting as what's inside. Those lovely leather bound editions of our favorite books appeal to that. Thus, my bookmaking.

Here is one of the first books I made:


It's a buttonhole binding style--that red thread you see on the spine is how it's sewn together. I gave it to Lance's mom as a birthday gift--it's a simple but beautiful book.

Here's a close-up of the spine:


Here's some cute little accordion books--the book has no "spine", and the pages fan out like an accordion:


Here is the Japanese stab-binding, which I mentioned in an earlier post:


It's a neat book because you can use varied colored ribbons and cool beads on the spine:


As you can see, there's a lot of versatility when it comes to bookmaking. I'm going to save some of the other books for another post.